Hip-hop emcee, Yasiin Bey (formerly Mos Def), and calligrapher, Niels Shoe Meulman, pay homage to The Greatest, and sport’s greatest showman, Muhammad Ali, in this video for Louis Vuitton’s Core Values campaign. Drawing on Ali’s most famous quotes, Bey adopts the role of storyteller, bard and (literal) ringmaster to glorify the heavyweight champ. The results, directed by Stuart McIntyre, are beautiful. Both visually and lyrically dazzling.
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A Prosaic Approach to Civil Rights Images by Gordon Parks
Gordon Parks was a prolific and brilliant photographer, musician, director and writer. He is best known as the director of seminal “blaxploitation” film, Shaft (1971), and as a photo-essayist for LIFE magazine, where he produced photographs on subjects such as Muhammad Ali, Stokely Carmichael, Malcolm X and Barbara Streisand, as well as fashion and sport.
Perhaps his most important, and interesting contributions, however, were his images documenting racial segregation and the Civil Rights movement in the 1950s and ’60s.
This article in the New York Times is a celebration of some 70 previously unseen photographs from the 1956 The Restraints: Open and Hidden photo-essay, for LIFE, recently discovered by the Gordon Parks Foundation. They are powerful, quiet, intense. Dignified and beautiful. A fascinating and essential alternative to the more widely published and frequently brutal images that record that tumultuous and violent period.
Parks would have been 100 this year and in celebration the Schomburg Center, NYC, is exhibiting 100 his photographs.
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Posted in Photography
Tagged 1950s, 1960s, America, Civil Rights, Directors, Film, Gordon Parks, LIFE Magazine, Malcolm X, Muhammad Ali, New York Times, Photography, Photojournalism, Race, Segregation, Shaft, Social Commentary, Stokely Carmichael