Monthly Archives: February 2013

Happy birthday Nina Simone

The mighty, beautiful, glorious Nina…

Nina Simone

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Norman Mailer

“Culture’s worth huge, huge risks. Without culture we’re all totalitarian beasts.” – Norman Mailer

Mailer

Howlin’ Wolf – Going Down Slow

Image

Donald Byrd (Dec 1932 – Feb 2013)

Donald Byrd

LIFE and Civil Rights: Anatomy of a Protest, Virginia, 1960

Civil Rights

The effect of social media on modern protest movements, and on modernising protest movements, is hotly disputed. Its ability to corral, organise and, in some ways, better prepare participants for the intellectual and physical struggles they might face should not, say advocates, be underestimated. To skeptics it is at best little more than a blunt awareness tool and one that can have a potentially damaging effect. (See ongoing debates surrounding the revolutionary wave of protests in the Arab world from late 2010 – the ‘Arab Spring’ – which many credit as the first to have had social media if not at, then close to, their heart).

In the US in the late 1950s, and then throughout the 1960s, protest preparation was a simpler, communal, yet no less important affair. But then, in so many ways, non-violent civil disobedience was a simpler and more “graceful” means than the violence preferred by many then and today. In May 1960, LIFE magazine set out to document the protest movement and its preparations in Virginia. The images they published in a photo essay in September that year are a stark reminder of the  prejudices African-Americans faced daily, and their extraordinary courage and endurance in challenging them.

“Very few non-violent civil disobedience tactics of the late 1950s and early 1960s were as brilliantly simple in conception and as effective in execution as the sit-ins that rocked cities and towns from Texas and Oklahoma to Virginia, Tennessee, North Carolina and beyond. Some sit-ins — at lunch counters, state houses and other public and private venues — were more confrontational than others; some lasted longer than others; some were more high-profile than others. But all of them required a certain kind of courage (Hemingway’s phrase, “grace under pressure,” comes readily to mind in this context) and a communal willingness to sacrifice that were hallmarks of the Civil Rights Movement in America from the very first.

Here, as Black History Month kicks off, LIFE.com presents a gallery of photos — many of which never ran in LIFE magazine — from a series of protests and sit-ins in Petersburg, Virgina, in May 1960, and from a broader-themed planning conference sponsored by Martin Luther King Jr. and the Southern Christian leadership Council at Atlanta University earlier that month. The pictures, by LIFE’s Howard Sochurek — a Princeton grad, Neiman Fellow at Harvard and WWII Army vet — capture one small but significant exemplar of the sit-in phenomenon, as well as some of the unusual training methods that potential sitters-in endured before taking to the streets and to the seats.

In notes sent to LIFE’s editors in New York from the magazine’s Washington, DC, bureau in May 1960, the sit-in movement’s activities in Virginia were dubbed the “Second Siege of Petersburg” — a tongue-in-cheek reference to the famous siege of the town and nearby Richmond between June 1864 and April 1865 during the Civil War.

The “siege” metaphor, meanwhile, takes on a peculiar resonance in those notes — for example, in a quote from a newspaper publisher in Petersburg, George Lewis, who told LIFE: “I’m against integration. The mood of Petersburg definitely is for segregation. The Negroes are pushing too hard and the whole pace is too fast. Petersburg is not ready for integrated lunch counters. If they integrate them, the whites will boycott. But things are changing slowly. Ten years ago we couldn’t have printed a Negro picture in the paper. The whites wouldn’t have stood for it. Now we print them when they’re in the news. It’s a mark of the progress here. But the Negroes are pushing too hard. They’ve created an explosive situation here in Petersburg.”

Describing a key element of that “explosive situation” — the sit-ins by activists at various lunch counters in town — LIFE wrote in its September 19, 1960, issue (published a full four months after the events described):

“The key to the sit-in is non-violence, but it takes a tough inner fiber neither to flinch nor retaliate when, occasionally, hooligans pick on the sitters-in to discourage them or provoke them into some violent act. Fearing the stress on sensibilities and temper to which a sit-in could be subjected, the high school and college students of Petersburg, Va. studied at a unique but punishing extracurricular school before they attempted sitting-in.

In the course, which they ironically call “social drama,” student are subjected to a full repertory of humiliation and minor abuse. These include smoke-blowing, hair-pulling, chair-jostling, coffee-spilling, hitting with wadded newspaper, along with such epithets as “dirty nigger” and “black bitch.” Anyone who gets mad flunks. So far in Petersburg effective police action and the calm attitude of the townspeople have averted trouble.

Except for a few adult leaders … the sitters-in are youngsters like Virginius Bray Thornton … In a real sense they are the South’s “new” Negro. They are educated, filled with a fierce idealism, chafing impatience and bitterness against the remaining shackles. “This is not a student struggle, it is a Negro struggle,” says Virginius. A baffled white man echoes him: “The older Negroes don’t want integration but these kids are shaming them into it.”

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Sit in Training

Non-Violence Training

Non-Violence Training

MLK Pulpit

Civil Rights Protest

MLK

LIFE

LIFE

Richard Harris

“I often sit back and think, I wish I’d done that, and find out later that I already have.” – Richard Harris

Richard Harris

False Memories, Source Confusion and “Autoplagarism”, Oliver Sacks (2013)

Memento

A fascinating essay by Oliver Sacks, from The New York Review of Books. If you have ever questioned the validity of your own memories or wondered where your more abstract inspirations may bubble up from, unprompted or seemingly without a specific frame of reference…

“In 1993, approaching my sixtieth birthday, I started to experience a curious phenomenon—the spontaneous, unsolicited rising of early memories into my mind, memories that had lain dormant for upward of fifty years. Not merely memories, but frames of mind, thoughts, atmospheres, and passions associated with them—memories, especially, of my boyhood in London before World War II. Moved by these, I wrote two short memoirs, one about the grand science museums in South Kensington, which were so much more important than school to me when I was growing up; the other about Humphry Davy, an early-nineteenth-century chemist who had been a hero of mine in those far-off days, and whose vividly described experiments excited me and inspired me to emulation. I think a more general autobiographical impulse was stimulated, rather than sated, by these brief writings, and late in 1997, I launched on a three-year project of writing a memoir of my boyhood, which I published in 2001 as Uncle Tungsten.1

I expected some deficiencies of memory—partly because the events I was writing about had occurred fifty or more years earlier, and most of those who might have shared their memories, or checked my facts, were now dead; and partly because, in writing about the first fifteen years of my life, I could not call on the letters and notebooks that I started to keep, assiduously, from the age of eighteen or so.

I accepted that I must have forgotten or lost a great deal, but assumed that the memories I did have—especially those that were very vivid, concrete, and circumstantial—were essentially valid and reliable; and it was a shock to me when I found that some of them were not.

A striking example of this, the first that came to my notice, arose in relation to the two bomb incidents that I described in Uncle Tungsten, both of which occurred in the winter of 1940–1941, when London was bombarded in the Blitz:

One night, a thousand-pound bomb fell into the garden next to ours, but fortunately it failed to explode. All of us, the entire street, it seemed, crept away that night (my family to a cousin’s flat)—many of us in our pajamas—walking as softly as we could (might vibration set the thing off?). The streets were pitch dark, for the blackout was in force, and we all carried electric torches dimmed with red crêpe paper. We had no idea if our houses would still be standing in the morning.

On another occasion, an incendiary bomb, a thermite bomb, fell behind our house and burned with a terrible, white-hot heat. My father had a stirrup pump, and my brothers carried pails of water to him, but water seemed useless against this infernal fire—indeed, made it burn even more furiously. There was a vicious hissing and sputtering when the water hit the white-hot metal, and meanwhile the bomb was melting its own casing and throwing blobs and jets of molten metal in all directions.

A few months after the book was published, I spoke of these bombing incidents to my brother Michael. Michael is five years my senior, and had been with me at Braefield, the boarding school to which we had been evacuated at the beginning of the war (and in which I was to spend four miserable years, beset by bullying schoolmates and a sadistic headmaster). My brother immediately confirmed the first bombing incident, saying, “I remember it exactly as you described it.” But regarding the second bombing, he said, “You never saw it. You weren’t there.”

I was staggered by Michael’s words. How could he dispute a memory I would not hesitate to swear on in a court of law, and had never doubted as real? “What do you mean?” I objected. “I can see the bomb in my mind’s eye now, Pa with his pump, and Marcus and David with their buckets of water. How could I see it so clearly if I wasn’t there?”

“You never saw it,” Michael repeated. “We were both away at Braefield at the time. But David [our older brother] wrote us a letter about it. A very vivid, dramatic letter. You were enthralled by it.” Clearly, I had not only been enthralled, but must have constructed the scene in my mind, from David’s words, and then appropriated it, and taken it for a memory of my own.

After Michael said this, I tried to compare the two memories—the primary one, on which the direct stamp of experience was not in doubt, with the constructed, or secondary, one. With the first incident, I could feel myself into the body of the little boy, shivering in his thin pajamas—it was December, and I was terrified—and because of my shortness compared to the big adults all around me, I had to crane my head upward to see their faces.

The second image, of the thermite bomb, was equally clear, it seemed to me—very vivid, detailed, and concrete. I tried to persuade myself that it had a different quality from the first, that it bore evidence of its appropriation from someone else’s experience, and its translation from verbal description into image. But although I now know, intellectually, that this memory was “false,” it still seems to me as real, as intensely my own, as before. Had it, I wondered, become as real, as personal, as strongly embedded in my psyche (and, presumably, my nervous system) as if it had been a genuine primary memory? Would psychoanalysis, or, for that matter, brain imaging, be able to tell the difference?

My “false” bomb experience was closely akin to the true one, and it could easily have been my own experience too. It was plausible that I might have been there; had it not been so, perhaps the description of it in my brother’s letter would not have affected me so. All of us “transfer” experiences to some extent, and at times we are not sure whether an experience was something we were told or read about, even dreamed about, or something that actually happened to us.

This is especially apt to happen with very early experiences, with one’s so-called “earliest memories.” I have a vivid memory from about the age of two of pulling the tail of our chow, Peter, while he was gnawing a bone under the hall table, of Peter leaping up and biting me in the cheek, and of my being carried, howling, into my father’s surgery in the house, where a couple of stitches were put in my cheek.

There is an objective reality here: I was bitten on the cheek by Peter when I was two, and still bear the scar of this. But do I actually remember it, or was I told about it, subsequently constructing a “memory” that became more and more firmly fixed in my mind by repetition? The memory seems intensely real to me, and the fear associated with it is certainly real, for I developed a fear of large animals after this incident—Peter was almost as large as I was at two—a fear that they would suddenly attack or bite me.

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