“The poetry generally is like a rhythmic articulation of feeling. The feeling is like an impulse that rises within—just like sexual impulses, say; it’s almost as definite as that. It’s a feeling that begins somewhere in the pit of the stomach and rises up forward in the breast and then comes out through the mouth and ears, and comes forth a croon or a groan or a sigh. Which, if you put words to it by looking around and seeing and trying to describe what’s making you sigh—and sigh in words—you simply articulate what you’re feeling. As simple as that. Or actually what happens is, at best what happens, is there’s a definite body rhythm that has no definite words, or may have one or two words attached to it, one or two key words attached to it. And then, in writing it down, it’s simply by a process of association that I find what the rest of the statement is—what can be collected around that word, what that word is connected to. “
Read the full interview here.
THIN GHOST 